Archive for category Subject: Venice

Venice in Watercolour (Ready to Paint) || Joe Francis Dowden

Whether to publish a series of books on painting in specific places has been the subject of often quite anguished discussions over the years. On the one hand, people go on holiday and the idea of a guide to where to look, what to paint and what materials to take looks like the proverbial no-brainer. On the other hand, books on painting on holiday sell like stale cakes.

So it’s quite amusing to find that the Ready to Paint series has developed a branch that takes this idea one step further, with its pre-printed tracings of classic subjects in a variety of cities. But then again, with all that done for you, do you really need to spring for the air ticket as well? The real purpose here, it seems to me, is that you can paint the Grand Canal at sunset in the comfort of your own living room, and get make a decent fist of it at the same time. I mean, what’s not to like? (That was a rhetorical question, please don’t write in.)

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Venice in Acrylics: Ready to Paint || Wendy Jelbert

OK, now I’m beginning to get scared. This series has turned out much better than I’d expected and has gone down very well with painters in general. Much of its appeal lies in the excellent execution – done badly it would have been barely more than a glorified painting-by-numbers game, but the idea of being freed from the tyranny of the initial drawing has worked and that’s good. But tracings of a real place? Isn’t that cheating?

Well, maybe, but Venice is the Mecca for the artist and not everyone can get there, so the idea of an armchair guide does make sense. How you explain the resulting artwork on your wall is up to you; Wendy’s keeping schtum on that one.

The five demonstrations will give you a good selection of the classic Venice scenes, including the Rialto bridge, the Grand Canal and the inevitable gondola. If you want to paint Venice and your travelling is all done firmly from your armchair, look no further, the world is coming to you. If I have a quibble, it’s that the finished results look, frankly, a bit amateurish and not totally up to Wendy’s usual standard, which is a shame, because there’s a market for the definitive Venice book and I’m just not sure this is it. Pity.

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