OK so, yes, I had to look this up too. Let’s go with Serena’s definition, since that’s how she’s applying it. It comes from two Japanese words and “refers to that which is imperfect, aged, humble and authentic.” It’s “an aesthetic that values the passing of time, the seasoning of time and the elements, the handmade and the simple.” It is also a state of mind which is expressed in haiku poetry. OK, so a bit-new age, a bit mystical and a bit of the Arts & Crafts movement. I think. Maybe the subtitle is more help, “Mixed media techniques for embracing imperfection and celebrating happy accidents”, which I’m not sure is the same thing.
At this point, you may have got the impression that I’m a little irritated by the whole thing. At least, I hope you have!
However, delving into the book, my mind is changed completely. This is a book about abstraction, but about achieving it by finding rather than creating. Oh dear, that’s about as clear as mud, but it turns out that what sounded like a woolly-headed idea is actually completely clear in Serena’s head and she presents it well. There are projects, techniques and ways of working that bring your materials to the fore and allow them to decide how the result will go. And there it is again, that new-agey thing. But the thing is that it’s all so convincingly presented, with neatly-formed chapters and plenty of illustrations. I’d defy you not to buy into the whole ethic. OK, you’re probably not going to start filling your studio with wind chimes and dressing entirely in cheesecloth, but there are some genuinely good ideas here that are worth following up.
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