Watching John Hoar paint is fascinating. Most artists start with the sky and/or a wash and it’s not that John never does. However, he does a great deal of structural work at the beginning so that the final image coalesces in the last third or so of the demonstration. It’s a bit like learning a language by starting with the grammar and then hanging the vocabulary on it. Yes, it can be done, but it’s a very academic exercise and you don’t really get to say anything for ages. When you do though, it’s perfectly formed. And that’s the way it is with a John Hoar painting. “Paintings are made up of shapes rather than lines”, as he puts it.
Well, that’s all pretty dull then, isn’t it? No, and the reason is that, instead of spending the demonstration describing what he’s doing (and what you can see perfectly well for yourself), John tends to talk about the creative process itself. This makes the film a bit like the Patrick George DVD I reviewed a while back, but with demonstrations. If you want to learn the mechanics of painting, then this is maybe not for you. If you want to follow the process of creating an image from what’s in front of you, it’s pretty much riveting. John is by no means a slavish representer and his simplification of the complex shapes and structure of Ely Cathedral (the film consists of four demonstrations around the town) is a masterclass.
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