This, as far as botanical illustration is concerned, is pretty much the tablets of stone, the Authorised Version. Kew do not hand out their imprimatur lightly and want to approve every stage of the production. If they sign off, it’s a guarantee that everything is absolutely right. Having a book like this, and having Kew in the title, is therefore quite a coup, especially for an independent publisher.
On top of that, Christabel King is one of a very select band of illustrators who works at Kew itself and can therefore be regarded as absolutely top flight. I really can’t emphasise too much how good this is getting. Botanical illustration at this level is respected and used by botanists around the world for identification purposes. The work produced is better than photography as, rather than show an individual example of a specimen, it can create a typical one, with all the likely characteristics included. As well as a section on using a microscope, there is also advice on preserving specimens and showing spots and markings. At this level, detail is everything and it gets very minute indeed.
For all this technicality, the book is surprisingly accessible. I don’t mean for a moment that the casual reader will become a fully-fledged professional as soon as they’ve read it but, if this kind of work interests you, you won’t feel swamped. There’s a nice sense of progression to the chapters and Christabel explains everything clearly and, above all, with worked examples. If you do get serious, the chapter on Curtis’s Botanical Magazine, with sample pages and a template for laying out a plate, will give you an idea of what to aim for.
Despite the weight of its authority, this is not a book solely for the expert, but is accessible to anyone who is reasonably serious about flower painting. You may never reach its dizzy heights, but you’ll enjoy the journey and the attempt.
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