Sometimes I wonder how he does it. Not the drawing, I’ve got used to the excellence of that, I mean the way Giovanni manages to come up with new, fresh ideas that aren’t endless re-workings of previous books and also to put an original slant on subjects that are not exactly under-represented in the literature of practical art.
This one, as ever, allows the drawings to speak for themselves and includes a relatively short text that really only introduces the subject and the techniques and points up the things you should be looking at and for.
What makes it different from perhaps a hundred other books on anatomy (for that’s what this is) is the simplicity and the fact that it’s written purely for the artist, who wants to draw the human form and merely needs its underpinnings. If it was about architecture, it would be like stopping at the foundations and relying on other books, of which there are plenty, for the above-ground structure. It’s admirably simple, doesn’t offer the slightest nod to the medical student (other books may not intend to, but they do) and shows you – yes, shows you – how bones articulate and how muscles link them together. There’s no complicated colour coding that other books like to go in for, just sensitive, accurate pencil drawings that you can easily relate to.
The painter George Stubbs studied anatomised horses in order to be able to paint them accurately. You have this book, when is every bit as good as a rather messy hands-on experience. Be thankful, and buy it.
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