Along with watercolour, pencils are a favoured medium for the botanical artist because of their ability to capture fine detail as well as blend to provide subtle colour variation.
As you would expect from Crowood Press, this is a very thorough and comprehensive guide that goes into considerable depth. As well as detailed analyses of its subject matter, it also includes step-by-step exercises that allow you to get hands-on with plenty of supervision. Each of these lists all the materials used, which are for the most part Faber Castell and Derwent. Unlike watercolours, where a limited, or relatively limited, palette is commonplace, you may need over 20 different shades for one subject. It’s worth equipping yourself, though, as you do need to be sure that you’re replicating the example exactly. Botanical illustration is not an area where interpretation is desirable.
Subject include flowers, leaves, stems, seeds and fruit and even fungi. This is a book for the serious student, who it will occupy and enlighten for a considerable period.
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