There’s no doubting the seriousness of this comprehensive study of portrait painting. As well as plenty of illustrations, there is a copious text that discusses just about every aspect of the subject in considerable detail – some four pages, for instance, are devoted to the process of priming canvases. This is, it should be said, a book about painting in oils and, although there is much general information that applies to any medium, it’s best studied with this in mind.
The book is constructed around the sequence of the painting process. We begin with the assembly and preparation of materials and, if you feel this goes into more detail than you perhaps need at this stage, do remember that few other books cover it quite so thoroughly and analytically, so you may not find this much information anywhere else. Lessons then move to the all-important observation and basic principles and on to composition, perspective, light and tone.
The second section is the main one and where Daniel considers the process of painting the head in detail. Style-wise, it is perhaps a shame that he tends to soften and obscure features, and this may explain the book’s title and its concentration on “the head” rather than “the portrait”. Daniel’s work also tends to be quite dark and of limited tonal range and this can make some of the illustrations hard to decipher in reproduction. You may feel, though, that the quality of the work, and the detailed discussion that surrounds it, more than make up for this and that you can add more detailed features yourself if you wish. There are, after all, other books that demonstrate this. In its own terms, though, this is something of a masterpiece.
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