A lot of books on acrylic painting tend to concentrate on its appeal to the beginner. It’s easy to see why – something opaque and quick-drying is relatively easy to handle. At the same time, it is often dismissed as suitable for fine art for the same reasons, as well as its poster paint associations. Great Art demands oils, although professional painters have long realised that something which doesn’t take six months to dry can (at least in theory) be painted one day and sold the next.
When acrylics first appeared, the range of colours was somewhat limited and drying times were ultra-quick, leading to a whole new range of problems. All that, however, has been addressed: artist’s quality paints are available in a full range of colours and there are plenty of retarder mediums that allow full control over drying. It has, in a word, come of age.
This comprehensive survey provides a through overview of techniques and practice with acrylics. It doesn’t attempt to be an in-depth study of everything – that would result in multiple heavy volumes, but James does cover an excellent range of topics, both practical and aesthetic. If you paint in acrylics and want something that takes the medium, and you, seriously, this is it.
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