Helpfully, the back cover blurb provides an explanation of the enigmatic title. “Zawn: a coastal inlet in a cliff face, with steep or rocky sides. Often the result of a roof-collapse in a littoral cave.”
This is useful to know, as it defines the content of this beautifully illustrated book, which exudes a sumptuous feel in spite of its relative slimness and soft cover.
The paintings themselves, some already existing, others produced especially for the book, are a superb evocation of coastal landscapes and of the weather that inevitably assaults a West-facing peninsula. I haven’t traced the chronology on a map, but there is a sense of a journey, as opposed to randomly-selected landmarks and that sits well with the idea of a coastal path.
The text is an account at once of the book, of Paul Lewin’s working methods and of the creative process as a whole. Whether you feel you need it, or whether these three things sit altogether comfortably together, is a matter of personal taste. Although what Paul Gough writes is firmly grounded in the work it accompanies, there is still a slight disconnect due to the tendency to expand and generalise. You might feel, though, that it adds to, rather than detracts from, the book’s appeal.
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