This is the most substantial book I’ve seen on the subject of anatomy. Substantial, however, doesn’t mean incomprehensible and, looking into its pages, it becomes possible to believe the jacket’s claim that the original German edition is “bestselling” – even though I doubt it would have troubled the literary pages of the Frankfurter Allgemeine.
Gottfried Bammes does a remarkable job of explaining every aspect of both anatomy and the practice of drawing it in a way that simplifies without reduction to absurdity.
Anatomy, rather like perspective, is complex and comes with the additional hazard that, when writing about art, any author needs to avoid something that looks like a medical textbook. That Gottfried avoids this is, in large part, down to the quality of the drawings he uses to illustrate everything. He has a lightness of touch that, while it might be out of place in a hospital lecture theatre, is more than adequate in a drawing studio. The result is not only manageable, but looks and feels manageable. On top of this, the way the book is structured makes each section a unit in its own right; you can concentrate on the room without feeling weighed down by the rest of the building, large and ornate though it is.
I’d hesitate to recommend this as a primer but, if you’re interested in anatomy for artistic purposes, I doubt you’ll ever find a better, and certainly not a more complete, guide.
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