Please, sir. Me, sir. I am, sir. The trouble with modern art is the fear of saying the wrong thing, of being unable to recognise the juxtaposition of referenced elements within the contemporary zeitgeist. The last thing you want is someone with over-sized glasses rolling their eyes.
There is, though, a coming realisation that non-pictorial art does need to be explained, and Susie Hodge has previously made some valiant and remarkably successful efforts. This, written by two experienced curators is, at first sight, not welcoming and user-friendly. A tendency to diagrams, word clouds and rather small illustrations does not help the casual reader get into it.
This is a shame, as it’s a remarkably helpful book and there’s a stream of quite subtle humour running through it – the authors may be highly experienced in their field, but they really do want to help the uninitiated.
The best way into the book, I think, is to start with the contents list. This is arranged in a A-Z format and reveals topics such as How Did We Get Here (contemporary before contemporary), Geeks and Techies (when did it all get so technical) and Picasso Baby (why does everyone want in on art – Kanye West, a minimalist in a rapper’s body). You see what I mean about inclusion and humour? You want to know more now, don’t you. Add to this explanation of the Guerrilla Girls, the Emperor’s new Clothes (what makes it art?), Fun, and the language of contemporary art (that word cloud) and you begin to see that this is a very clever way into a complex subject that often does close itself out to a world outside the cognoscenti.
The sections are short, so you won’t get bogged down in lengthy explanations – if you want to know more, there are plenty more books – trust me, plenty!
Overall, this is a brave and largely successful attempt to explain something that threatens to be unexplainable.
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