Capture the Castle – British artists and the castle from Turner to Le Brun

“Everyone”, it says here, “loves a castle”. That’s a broad, bold statement, but I for one wouldn’t disagree. Not my place, not my pay grade, I’m just here to write about books.

As with a lot of Sansom books, this accompanies an exhibition. I like that because I get to see a lot of paintings I otherwise wouldn’t – I can’t get to everything. It also provides a lasting record after the show has finished and, while the works are all collected together, there’s an opportunity to do some quality origination, as well as a captive market for the initial print run, making the whole thing an economic possibility. It’s a neat, virtuous circle.

Subject-based exhibitions provide an opportunity for a varied and eclectic choice of works: you’re not limited by artist, style or period. Here, we have watercolours, oils, etchings, drypoint, casein, linocuts and anything else I’ve missed. The castles don’t even have to be real – there’s one of Gormenghast. The choice of works is right up to date, the most recent being 2016 (more recent than Le Brun, by the way).

As if all that wasn’t enough, there’s even a potted history of the development of castles as well. If you’re interested (and, as the blurb hints, aren’t we all?), but not so interested to want a whole book on the minutiae of the subject, this will do nicely.

The arrangement of the book is topical, with each chapter introduced by a different writer: a historian, art historians and an archaeologist. Each illustration is reproduced at a good size and has an extended caption explaining both the subject and the image; some of these are by the artists themselves.

There is much to like about this book, from the subject matter to the curating and the standard of production and reproduction. It’s also very reasonably priced, another thing Sansom are rather good at.

Click the picture to view on Amazon

Or you could buy from the publisher

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