This general and wide-ranging discussion of watercolour makes for an enjoyable read. Although it contains a number of demonstrations, these are more of the analytical than prescriptive type, taking consideration of what was done rather than providing instruction on how to replicate them.
David’s style is pleasantly loose and makes frequent use of granulation. He also includes preliminary pencil sketches that show how the composition was settled.
While there is plenty of information, this is a book to sit down with rather than use while you’re working. The examination of approaches and consideration of colour, tone and perspective contain more detail than a simple instruction manual and are related both to the medium in general and the subject in particular.
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