If you haven’t heard of Roger Cecil, you couldn’t be accused of ignorance. Even if you had, you might never have seen any of his work. He was a legendary figure among curators and you can almost imagine travellers’ tales of the fabulous works that remained inaccessible to most.
Cecil was a recluse. Those who knew him regarded him as one of the greatest abstract artists of his generation, but he was intensely private and exhibited only rarely. When he died in 2015, his body was only found after a police search.
This collection should cement Cecil’s posthumous reputation. Peter Wakelin has amassed a remarkable number of works and facts and presents an account of the man and his life in South Wales that has been painstakingly researched. It becomes immediately apparent that Cecil was indeed a major figure (or would have been if he had been more widely known) and possessor of a very remarkable talent. His understanding of form and colour, and especially of the figure, is truly remarkable and, now that he is gone and his privacy cannot be intruded on, the time has come to shine a light on his output.
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