This is easily the best book on its subject, probably ever. If you were to combine the spirits of John Constable and JMW Turner, perhaps with a dash of Edward Seago thrown in, I’m not sure you could better it.
The extent of the coverage is breath-taking. It’s a given that skies are infinitely variable. East Anglian based Mo Teeuw has, however, managed to cover just about every type you can imagine, from clear to clouded, cirrus to cumulus, in clear and overcast weather and in all seasons. And she manages this without repeating herself once or leaving the reader overwhelmed. If you care about skies and, as a landscape painter you must, this book is an essential guide. Even if you think you know the subject inside out, there will be something new for you here.
Although this looks a slim volume, it has a surprising weight when you pick it up and this is down to the 160 pages. Although the paper is quite thin it’s of excellent quality and the images are all superbly reproduced – to have not one dud among this many is an achievement worth celebrating.
The book has examples and demonstrations as well as practical information and extensive discussions of how and why skies appear the way they do. This is about more than just applying paint, it’s an in-depth study of its subject. I think you could even get quite a lot out of it if you aren’t a painter but just a lover of landscape. You should certainly also look at it even if you’re not an oil painter. As well as Mo’s own work, the book features a number of guest artists who add a welcome additional perspective.
I said that this is easily the best book on its subject. Skies in oils is, of course, a small field, but I really don’t see how this will be bettered in a very long time, if ever. It’s a true classic.
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