This new series from the prolific and always worthwhile Giovanni Civardi does what it says on the tin.
The use of grids vastly simplifies any composition that requires perspective or proportion and artists have been using them for centuries; it’s what the camera obscura was for. Giovanni’s method doesn’t require any equipment and he demonstrates how to draw up an 11 x 8 rectangular grid that contains your subject: in this case, just the head and neck. There are initial notes on anatomy, features and proportions, the bulk of each volume then being occupied by a series of worked examples that progress from the initial outline on the grid to Giovanni’s usual sensitive result.
With so many books to his credit, finding new approaches is getting tricky and there’s inevitably a degree of repetition to the coverage. However, Giovanni is an artist of great skill and always worth a read. In this case, the simplicity he has introduced is, I think, a welcome novelty.
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