This remarkably thorough and authoritative account of the development of painting in London from the Second World War to the 1970s draws on extensive interviews Martin Gayford conducted with its participants and personalities. Gayford, art critic of The Spectator, offers what is effectively an insider view of an important period in, and strand of, contemporary art. Although it was not a movement as such, it was inevitable that any group, however diverse, that was working in reasonably close proximity would develop friendships and rivalries and share experiences and ideas both deliberately and unconsciously.
Just about everyone who was a part of the scene gets a mention somewhere here and luminaries include Hockney, Freud, Bacon, Bridget Riley, Gillian Ayres, Peter Black, Allen Green and Howard Hodgkin. The book, however, is very much more than a simple trawl through the notes and a tour of the exhibits. Gayford, an insightful viewer and incisive commentator, demonstrates how the group (as we might just get away with calling them) were influenced by teachers such as David Bomberg and William Coldstream and also drew on American Abstract Expressionism and more traditional Western art.
Comprehensively illustrated, this should be set fair to be the definitive history as well as an appreciation of its period. The published version will have an index, the lack of which I felt dearly in my proof copy, indicating how essential it will be.
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