It’s not really surprising that the vast majority of books published concentrate on watercolour, it being by far the most popular medium, even if the opaque alternatives are often easier for the beginner.
This short introduction is all the more welcome, therefore, and especially because it is so good and so accessible. If you want to give oils a try, this is the ideal place to start. The introduction to materials and basic methods is concise but leaves nothing out. You won’t be bogged down with detail, but neither will you feel short-changed. A series of worked demonstrations then introduces subjects that include still lifes, boats, buildings, skies and figures. There’s also a handy glossary that sums up terms such as perspective, alla prima, plein air and underpainting.
At 96 pages, this inevitably skims the surface a bit, but it should get you set nicely on the path and ready for some of the more advanced books if you want to progress.
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