This varied and delightful book accompanies the same authors’ look at the sketchbooks of Edward Bawden that appeared two years ago. Ravilious and Bawden are, of course, very much in vogue and the counterpoints to their work make for enjoyable and fascinating study.
As with the Bawden volume, this includes preparatory drawings as well as materials the artist collected as what would now be called a “mood board”. As well as having some interest in their own right as historical records, these show the way Ravilious’ mind worked and how his ideas developed into finished pieces. As a designer as well as an artist, it is possible to see how he was using contemporary references to create images that chimed exactly with his own times.
As well as sketches and design clippings there are also newspaper stories, such as the first flight over Everest, the development of the parachute or a photograph (supplied by Bawden) of the English touring cricket team of 1859. Almost anything seems to have been grist to Ravilious’ mill, but the printed borders and figurative photographs he used as motifs and for reference are particularly interesting.
There is no shortage of books on Eric Ravilious and this is perhaps one for the more dedicated follower. However, it provides many delights in its own right as well as insights into the creative mind generally, along with that of its nominated subject.
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