There’s no shortage of books on art history and appreciation or of assessments, frequently offering new insights, of Old Master paintings. The sheer weight and distribution of source material ensures a steady process of well-qualified authors. Ossian Ward is Head of Content at the Lisson Gallery and was previously chief art critic at London’s Time Out magazine.
There is much in favour of this new volume. For a start, it’s compact. If you’re trying to get to grips with art appreciation, the last thing you want is to be overwhelmed by material, and this is very much a primer. While relatively elementary, what it is not is superficial. There are plenty of well-reproduced illustrations that are, within the confines of a book that would fit in a jacket pocket, generously sized. Its binding also allows it to fall open easily, meaning that the reader is not forced to peer into the spine to inspect a detail the text has fixed on. These things matter.
The text is written as a narrative and the “again” of the title refers to the viewer taking an extended look at the artwork, rather than the book being a radical departure from received wisdom. This doesn’t mean that it is a re-hash of all that has gone before, but rather a distillation for a particular audience – one that will value the concise over the exhaustive. The chapter headings are “Art as…” and topics include honesty, drama, horror and folly. These are eye-catching as much as anything else, but allow an examination of many different works from many different viewpoints. The method is not to dissect individual paintings, but rather to demonstrate a variety of ways of approaching art as a whole and to show the newcomer what to look for in terms of composition, symbols and the overall treatment of the subject.
Add all this to an enjoyable read – even a bit of a page-turner – and you have a solid winner.
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