At first sight, this has the appearance of another of Susie Hodge’s excellent analyses of the painting methods of historical masters. The format and binding are even the same as her Art in Detail series.
This is not entirely surprising, as that’s exactly what it is. However, the book is more specifically geared to the practical reader and uses what we’ll call great works to analyse a wide variety of topics. Call it learning by example, the descriptive rather than the prescriptive method.
The word Masterclass is bandied about rather indiscriminately in the book world and is frequently applied to anything the publisher thinks isn’t obviously introductory or for the beginner. Sometimes, my inner cynic mutters that they just want a title that appeals to the more experienced artist, who perhaps hasn’t been buying enough of their books lately. Well hush my mouth – a bit.
Here, though the word is entirely justified (and you might want to add that, if anyone isn’t going to misuse it, that person would be Susie Hodge). This is most precisely a masterclass. The teachers are masters and the class is absolutely for the experienced worker. There are no instructions – you won’t be following any exercises or demonstrations here. What you will be doing is learning how Georges Seurat used form and colour, how shapes work in Manet’s Déjuner sur l’Herbe (actually, Anglicised titles are used throughout) or light breathes atmosphere into a Fantin-Latour still life.
Susie is, as ever, concise and cogent in her analyses and the book works almost as well as an introduction to art appreciation, meaning you could say you’re getting twice the value which, given the quality and quantity of the illustrations, would make it an absolute steal.
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