“Exciting” isn’t normally a word I’d associated with portraiture. “Thorough”, “lifelike”, maybe even “vibrant”, but it’s not normally a subject to get the pulses racing.
This, though, is astounding. Hashim’s style is quite blocky and, if you were looking for almost photographic realism, this is not for you. You actually have to look at the finished results for a few seconds before the features of the faces emerge. When they do, however, they’re full of character and these are people whose presence you can feel. This is something that all portrait painters strive for, but it’s one of the most difficult qualities to achieve. If personality is your goal, place your order now.
I think it also helps that Hashim appears simply to like people. I don’t think it would be possible to get results like this if you simply regarded your subjects as a job. There’s a warmth here, and an understanding of the life and light behind mere structure and outward appearance. This isn’t really something that can be taught, so I’d suggest you might simply want to learn from example here – don’t expect a magic ingredient.
In practical terms, the book offers all the variety you could want. There are male and female figures, different hair styles and skin colours and a wide range of ages. Hashim explains colour, lighting and perspective and he’s also rather good on the main features – eyes, noses, ears, etc. Here, his style is your friend as its vibrancy makes what is inevitably a rather technical section interesting and – well – exciting.
Although it’s inevitably on the idiosyncratic side – no good if you hate Hashim’s style – this is nevertheless a very complete guide.
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