This is one of the latest titles in a really rather excellent series. Susie Hodge is a perceptive anthologiser and her generous selection of images covers not just the gamut of her subjects’ careers, but also the whole breadth of their work.
Books such as this stand or fall largely on the quality of the reproduction. At a modest £17, one should not be over-critical and good enough is, frankly, good enough. It is therefore a pleasure to report that this is a whole lot better than merely adequate. To get this amount of material could easily cost three or four times as much and, unless you wanted a definitive monograph, you’re vanishingly unlikely to be disappointed. Frankly, I’ve seen books like that which are a whole lot worse, so you can confidently fill your boots with this one.
The text is necessarily concise, but the basic information is all there. Again, we are in the territory of an introductory survey for the general reader and you get, I think, a lot more than you might expect. It’s all very clear and there are some genuine insights – it’s a very great deal more than “this is a painting and this is what it’s of”.
There’s much to like here, much to get your teeth into and it’s an all-round thorough job.
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