This, sadly, is going to be Charles’ last book; he died in 2019. If, however, you wanted a lasting legacy, this would be it. Although his style is, arguably, not one for the beginner, there is so much sound information here that you could view the result as something to aspire to, while still learning a great deal on the way. If you’re a more experienced worker, then some simple revision would certainly not go amiss and you might welcome the chance to catch up alongside an acknowledged master of the medium.
Topics are very much as you’d expect – composition, light and shade, values and simplification. There are plenty of exercises and demonstrations to get your teeth into. This is a book you’re going to want to spend a lot of time with and much of it bears returning to more than once, such is the depth of knowledge and information evident.
It’s probably worth saying that quite a lot of the book is devoted to figures so, if this is something you want to work on, you’ll be in your element. If not, then it’s worth some thought before diving into a purchase.
The illustrations reveal Charles at the height of his powers, exploiting colour and working as loosely as possible with simplified images that capture the essence of a subject in amazingly few brushstrokes.
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