This is not a new book, having first appeared in 2013, but its reissue is timely and it’s something that really shouldn’t be out of print.
There are all kinds of guides to colour, from the mixing swatch-books to highly technical volumes that are really of more interest to the scientist than the artist. This one is firmly practical and written for those working with pigment to create end results, which are the main, indeed only, focus.
What colours do, especially in relation to each other, is of prime importance and a basic understanding of their properties is essential if predictable and reliable results are to be achieved. This doesn’t necessarily mean a crash course in chemistry, although that’s behind a lot of what happens on the palette and the paper. An author who can understand that and translate it into the language and requirements of the artist is someone to be treasured.
Sandrine works through each of a wide range of colours individually as well as explaining some basic techniques for botanical painting. She also names specific brands, but recommends alternatives as well. You don’t have to throw away the contents of your paintbox in order to work with her prescribed choices, which is very welcome – this is about you, not her.
Each colour choice is accompanied by a detailed floral demonstration that pays particular attention to the colours used – how and why – for each part of the subject. It’s particularly useful to be able to see and understand why a particular mix is appropriate at any particular stage and where they all fit into the overall result.
This is a very thorough guide to a complex subject, but one which is told clearly and concisely and, above all, in language the artist will readily understand.
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