This not unattractive guide is either a visual feast or an assault on the senses, depending on your point of view. You might even say it’s both, and like it all the more for that.
Books on perspective usually fall into one of two camps: technical drawing manuals, or attempts to teach the subject without any technicality at all. The former can be daunting, especially for the general artist and the latter as frustrating as a language course that pretends that grammar doesn’t exist.
Perspective is part of the grammar of art, as much as colour and colour mixing or the techniques for application of materials. It’s a thing you have to get to grips with, but also something a lot of people are afraid of, but as necessary as declension of nouns or conjugation of verbs.
Ilga is an urban sketcher, so perspective is central to her craft. She also, as is common with the genre, works quickly and loosely, so you won’t find architectural or measured drawings here, and hooray for that. It does mean that you get what I referred to at the beginning – the visual feast or assault on the senses. However, it also means that, where there are lines and diagrams (you know you need them really), they’re organic and mostly freehand, which makes them a lot more friendly and approachable. There’s also quite a lot of text, but it’s largely there to explain the images rather than a lot of theory to read, so hooray for that too.
What mainly sets this apart from other books on perspective is the way Ilga uses the technique in very fluid drawings that capture character as much as appearance. Only you can decide whether this works for you but, if it does, it should be rather successful.
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