This is nothing if not elaborately presented. A hard case with an elastic closure opens to reveal a beautifully produced paperback book and an envelope of practice sheets that contain outlines for basic letterforms. The same script is used throughout and is not, I think, one of the classic ones, but is still a pleasant sloping variant of Copperplate.
Calligraphy being about appearance, at least today, this elaborateness has a place, but you may also feel that there is a slight tendency for form to overtake substance. This is not, it should be said, a book about calligraphy as a complete subject. Rather, it is a guide, perhaps better, a list of suggestions for projects such as the inevitable – and obvious – invitations. What you may find useful are the extended guides to forming letters and the practice sheets for these. These exercises occupy a large portion of the book and are among the most thorough I have seen. If this is what you want (and I suspect a lot of people will), then they would justify the price of the book by themselves.
However, if you were looking for a guide to other calligraphic hands, or more extended projects, this is perhaps not the book for you. It’s very well done, beautifully presented and well laid out, but does have its limitations.
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