This really rather excellent guide to botanical painting comes at its subject from the angle of colour. That much you could glean from the title, but the approach is interesting because Leigh Ann breaks a complex topic down into not just manageable, but also fundamental, parts that allow discussion to broaden into real-life observation and the use of colour theory.
That latter is always a difficult subject to address because it seems so esoteric, yet is also absolutely central to all artistic endeavours. The irony is that its foundations are relatively simple – colours are filters for white light and reduce the amount that is reflected. More is always less. By tackling the matter head on, Leigh Ann simply shows you how correctly-observed colour choices will produce vibrant and, above all, botanically accurate results.
All aspects of colour are covered, including flowers, fruit and foliage, with examples and demonstrations provided for each of the main colour groups. Instructions and analyses are thorough throughout and this is a worthwhile as well as original addition to the canon of botanical literature.
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