Subtitled From first mark to full expression, this is a comprehensive, but not exhausting, study of drawing using everything from pencils and pen & ink to watercolour washes, graphite, charcoal, acrylic inks and mixed media.
You could forgive yourself for asking how all this could be not creative – the title does sort of hint at that possibility. The truth is, it’s one of those rather vague words that publishers use when they’re not quite sure how to categorise the work of an author they’ve felt attracted to and want to do a book with. There’s an immediate attractiveness to David’s work that eloquently explains this without the need for any words. There’s huge variety here and he is one of those artists whose work somehow transcends their medium. In a way, this isn’t a book about drawing at all, but about creating and where the fact that tools are used is merely incidental.
That’s all very well, but you the reader are sat there with a pad on your knees, pens and pencils in hand and a bottle of ink perched precariously on a stool or tree stump beside you. You want to know how to proceed and you won’t be disappointed by how David guides you. That subtitle makes it clear that this is about the whole process of drawing and that there’s advice on mark-making before you get to the process of transcending your media. The more elementary aspects don’t dominate, however, and there’s plenty of variety and exercises to get stuck into. Subject matter includes trees, buildings, still lifes and a few portraits. David tends to go for the closer, more intimate view than the wider perspective, which is why I haven’t mentioned landscapes, even though some of his work does fall broadly into this category.
All-in-all, this is an enjoyable, instructive and thought-provoking book.
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