Several books have appeared recently that take their subjects and readers entirely seriously. They avoid the trap of trying to be all things to all readers and simply assume that, if you don’t have the basic skills they demand, you can get them elsewhere. This is another such and offers a very thorough survey of a broad range of natural subjects depicted in a single medium.
With over 200 pages at her disposal, Sarah Morrish is able to expand and expound in considerable, though never exhausting detail. Her materials include traditional dip pens as well as Rotring Isographs, brush pens and felt and fibre tips. She also uses coloured as well as black inks, making the illustrations here far from sombre. Of particular interest is her use of hatching and line-placing to create very effective half-tones.
With plenty of space to manoeuvre, the choice of subjects is generous, ranging from trees and flowers to mammals, insects and invertebrates. The text studies not just working methods but the creatures and their environments as well; this is about finding your subjects as much as depicting them. Once you’re down to work, examples, case studies and demonstrations will give you plenty to get to grips with.
By concentrating on viewpoints and not being afraid to go into detail where it’s required, this is one of the most comprehensive books around on natural history drawing.
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