Peter Cronin tells us that he found drawing in “special” classes at school, having been diagnosed as “slow”, but in reality dyslexic. For him, it was a release from the tyranny of the worded page and an introduction to a world that was all his. All of which is a roundabout way of saying that this book is, as much as anything else, a paean to the joy and freedom that Peter finds in working with drawing materials.
Yes, it’s a book of instruction and, yes, it covers all the basic principles, but Peter also manages to convey throughout the joy he feels when working, and he’ll share it with you the reader. So, yes again, it’s a course, but it’s also a journey of discovery.
Peter’s drawings are subtle and sensitive and he works mostly with pencil but also pen & wash. With plenty of examples and short exercises, he introduces line, composition, perspective, form and hatching as well as ways to control the weight of the mark to create values, tone and shading.
There’s a huge amount to get to grips with here and this is a book that you can easy work through or just dip into for advice and inspiration.
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