Archive for category Author: Christopher Hart

Basic Drawing Made Amazingly Easy || Christopher Hart

Well, who wouldn’t want a book like this?

In fact, it’s the instruction, rather than the drawing, that’s been simplified. Christopher Hart has a neat way of moving from simple outline shapes to the finished result and, while this is not a complete innovation, I haven’t seen it applied so completely across such a wide range of subjects.

There is an issue, though with three-dimensional subjects and perspective, with which Christopher doesn’t seem completely confident. Strangely, that evaporates when it comes to faces and figures and these, as well as the simplicity with which they’re explained, I’d say are worth the purchase price on their own.

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Basic Anatomy for the Manga Artist || Christopher Hart

This is a nice, simple guide to anatomy which is perfectly suited to the Manga artist, who has very specific requirements about what they want to draw and how they want to draw it. Its content is absolutely summed up in its title.

And that’s all I really need to say, except that, if you’re not a Manga artist, it’s also worth more than a cursory glance because Christopher provides a basic guide to drawing figures for people who don’t want to draw figures. How so? Well, let’s assume that you’re not looking to produce muscle-accurate representations of the human form, but rather to include figures in a painting and have them not look like statues or waxworks. As long as they’re convincing, they’ll pass muster.

If that’s you, then this has much to recommend it. True, you’ll have to get past the big-eyed kids that are the staple of Manga, so you may need to do a bit of work of your own on faces, but, apart from that, you get nice simple instructions and demonstrations of male and female figures in a variety of poses and moves that you should be able to adapt for more general purposes. It’s important to emphasise “adapt”, because, if you don’t think you’re capable of a little lateral thinking, you may struggle. If you think you’re up for it, though, you’re quids in.

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