Archive for category Author: Peter Woolley
The Watercolour Sourcebook
Posted by Henry in Author: Geoff Kersey, Author: Peter Woolley, Author: Terry Harrison, Author: Wendy Tait, Medium: Watercolour, Publisher: Search Press, Series: What to Paint, Subject: Techniques on Apr 27, 2022
This bind-up of the What To Paint series provides 60 transferrable outlines with basic instructions on completion. You get Landscapes from Terry Harrison, Flowers from Wendy Tait, Trees, Woodlands and Forests from Geoff Kersey and Hills and Mountains from Peter Woolley.
It’s a repeat of what’s gone before but, if you don’t have the original volumes, you get a lot of material for your £15. My only issue, as with all books with removable pages is that, when you’ve removed the outlines (which you’ll need to), you’re left with half an empty spine. You might think that inevitable sacrifice is worthwhile, though.
Click the picture to view on Amazon
Hills & Mountains in Watercolour (What to Paint) || Peter Woolley
Posted by Henry in Author: Peter Woolley, Medium: Watercolour, Publisher: Search Press, Series: What to Paint, Subject: Landscape, Subject: Mountains on Feb 13, 2015
The What to Paint series is the grown-up cousin of Ready to Paint and includes larger drawings that need to be assembled and traced down. For me, the problem is that when you’ve taken those pages out of the book, you’ve removed half of it and weakened the spine. On the other hand, this is something to use, not keep on the shelf, so maybe that doesn’t matter. The series is maturing nicely and remains popular, so clearly plenty of people don’t share my reservations.
Peter Woolley includes an excellent variety of material and none of the 24 paintings could be said to be in any way similar, ranging from misty views to craggy hillsides and from snowy peaks to tranquil farmland scenes. Each painting is accompanied by the finished work, a note of the palette and breakouts of the important details. There are no step-by-step instructions and the main idea is that you work on your own with only a light guiding hand. The outline gets the whole issue of drawing out of the way, leaving you to concentrate on the colour, tone and shading.
Click the picture to view on Amazon