Archive for category Author: Tim Pond
An artist’s second book can be a challenge. Quite often, they’ve said as much as they can already and, if the subject is predominantly the same, finding a different approach that doesn’t simply repeat what’s gone before can be tricky. In his previous book, Tim pretty much wrote the definitive guide to animal drawing. True, we have a change of medium here, but the style is the broadly the same and The Field Guide to Drawing and Sketching Animals certainly didn’t lack colour.
So, Tim had a hard act to follow and quite a mountain to climb. It’s therefore a pleasure to say that, in terms of absolute triumph, Tim has scored again. A change of publisher has certainly helped, because of the shift of editorial and design priorities that brings. There is a further change of emphasis in the arrangement of the book, which is now both by season and habitat. The way books are ordered is sometimes a conceit, just a way of putting one thing after another, but this makes complete sense as you get those creatures you’re likely to find together all in the same place and also relates fur, plumage and behaviour to the time of year. It’s also noticeable that there’s a lot less anatomy in this book than there was in the previous one. It’s not lacking completely, and there when you need it but, if you want lessons on structure, see previous.
This is also, as the title implies, not just a book about animals and, when ordering by habitat, Tim also includes lessons on related matters such as deciduous trees, rainforests and savannahs. He even takes time out to explain why leaves turn brown in Autumn; it’s not essential, but piques the interest and improves your overall understanding and immersion in the subject.
The studies, lessons, exercises and demonstrations mostly occupy no more than a couple of pages, thoughtfully arranged as a spread so that you can see everything at once. Tim’s style is at once precise and yet also slightly impressionistic – he doesn’t get every detail of hair or feather with a quadruple-nought brush. The result is creatures and their surroundings that have a sense of life and potential movement that should appeal to the artist rather than the zoologist.
This is a remarkably thorough and enjoyable book that will have instant appeal to any wildlife artist, but also instruct those for whom the subject is perhaps more peripheral. To do this twice in two books is no small achievement.
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This is, I think, the best book on drawing animals I’ve seen. The sheer breadth of the coverage and the amount of detail that Tim goes into is breathtaking. More than that, though, it remains at all times completely accessible and you’re never left feeling bewildered by the amount of information on every page.
The ability to do this comes from confidence and, as you can see from the results, Tim is completely at home with his subject and his materials. For what is avowedly a book about drawing, there’s a lot of colour, much of it in the form of washes. As I write, I have to keep reminding myself that this is a drawing, not a painting, book although there is a convincing argument for treating it as the latter. One of the things I particularly like is that Tim doesn’t bother with backgrounds, except for the occasional prop of a bit of vegetation. Too many artists opt either for a complete jungle or a nondescript cyclorama that makes the subject look like an exhibit in a menagerie. Tim’s creatures exist for themselves and in their own right. They leap off the page and they’re all the better for that.
Drawing (or painting) animals is a complex subject. There’s structure, form and behaviour as well as that elephant in the corner, anatomy. Tim has a neat way of dealing with that: shading. I’ve seen this done before and, frankly, it often just adds to the confusion. Tim uses a lot more colours than is usual and it just works. Even I can understand it and, more to the point, I believe I can. Another of his tricks is what he calls Wizards and Gizmos, little shortcuts to getting shapes and proportions right that allow you to build solid foundations for your subject that will pay dividends later. These are more than clever tricks for their own sake and are very handy ways of dealing with some of the more technical aspects of the subject.
There’s masses to get your teeth into here, from techniques to almost every living thing you can think of, from crustaceans to ungulates. This is a book that will keep you engaged – even engrossed – for a very long time and which delivers everything it promises as well as a lot more.
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