Archive for category Medium: Various
I’ll be honest, I’m not absolutely sure what this is. The blurb tells me that it “will provide both the amateur and the seasoned creator with helpful knowledge in order to successfully execute the Realism style”. That, however, is not Magic Realism – highly detailed work that emulates photography – and looks suspiciously like conventional art that gets things like form and perspective right. There are occasional slight echoes of Edward Hopper, but I’m not convinced that’s deliberate. There is also an associated app that claims to be augmented reality but is, as far as I can tell, just a portal via on-page codes to video tutorials. I think it’s more added content than augmented reality.
So, having pretty much trashed the intent of the book, is there any point in going any further? Well, yes, because once you get past the ache to be new and high-tech, this is a very sound introduction to painting a good variety of subjects in watercolour, oil and acrylic. Yes, that old cross-media chestnut rears its head and, yes the subject you want may not be covered in the medium you use but, as long as you can follow the basic principles, the actual style of instruction, particularly working with problem areas and enlarged details is perfectly sound.
The lack of a named author is slightly odd, but there are plenty of different contributing artists and the text is concise and to the point. My initial thought was that it has the feel of a Parramon original and so, on further investigation, it turns out to be. That pedigree is generally a recommendation in itself and I’d say it is here. It’s hard to know who to recommend the book to – it’s a little too advanced for the complete beginner and sometimes a little too basic for the experienced artist. However, it’s something that may grab your attention and, as long as you feel you can get enough out of it to justify the price, I don’t think you’ll be disappointed and may well feel it has more to offer than you first thought.
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Who doesn’t like trees? Put your hand down, Figgins Minor, it’s not funny and it’s not clever. Trees are under threat as never before, or so we’re led to believe, so this is, if nothing else, timely.
When it comes to instructional books (which this is not), those on trees are thin on the ground; the paper used to print them certainly wouldn’t threaten a forest. They are, however, ubiquitous in landscapes, but few people bother to paint them as subjects in themselves. This is a shame as, apart from the representational challenges, they present an infinite variety of shapes, colours, textures and forms and change with every season.
What a book such as this does, for me above all, is to throw together a wonderfully varied collection of artists, styles and media that otherwise would probably never be found within a single collection. My antennae quickly said “exhibition” and this indeed did grow out of Under The Greenwood: Picturing The British Tree, which was held at the St Barbe Museum & Art Gallery in 2013. I warm to that “grew out of”, because this isn’t (just) a catalogue, but rather a determination to give a temporary collection greater permanence. The Arborealists isn’t just a handy title for the book, it’s a conscious grouping of the artists involved, a loose association borne out of a sense of camaraderie and which exhibits across the south of England.
No fewer than thirty-seven artists have contributed to the book, each given a double-page spread and, for the most part, two illustrations. It’s inevitably a sampler, but the format also emphasises the variety of the work on show from oils to watercolour to ink and printmaking. Each artist has a short introduction, either biographical or in their own words, but these never take over from the illustrations, which are given generous space, as they should be.
There are also some useful background essays which deal with trees and their position in culture, as well as a handy history of trees in art, which has some particularly nicely-chosen illustrations.
Overall, if you love trees, or painting, or even just happily miscellaneous collections, this is a book not to miss.
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