Archive for category Medium: Various
Artist Toolbox: Tools & Materials/Surfaces & Supports
Posted by Henry in Medium: Various, Publisher: Walter T Foster, Subject: Techniques on Jul 17, 2019
This handy little series offers a lot more than appears at first sight. You would be forgiven for thinking that it was something aimed at the complete beginner and maybe even for the buying-it-for-someone-else market.
Although it is both of these – if you know someone who’s expressed an interest in art, these are a good starting point – there’s also information that will provide a handy resumé for the more experienced worker. The contents are much more than just a list of what’s available with the sort of description that leaves you muttering, “well, I could have worked that out for myself”.
What separates these books from the crowd is the amount of information (packed into a very small space) about what to do with the equipment you’ve just bought. Oils, watercolours, acrylics and ink are there, of course, but also glass, plastic and even stone. Technical information runs to shading, perspective and composition as well as the more expected methods of application. Within that limited space, don’t expect a full-on course, but do be amazed by the amount of depth achieved in only a page or two.
These are genuinely useful books that have been well thought out and are very much more than just the shelf-fillers that this sort of thing so often is.
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Posted by Henry in Medium: Various, Publisher: Sterling, Subject: Techniques on Apr 18, 2018
I’ll be honest, I’m not absolutely sure what this is. The blurb tells me that it “will provide both the amateur and the seasoned creator with helpful knowledge in order to successfully execute the Realism style”. That, however, is not Magic Realism – highly detailed work that emulates photography – and looks suspiciously like conventional art that gets things like form and perspective right. There are occasional slight echoes of Edward Hopper, but I’m not convinced that’s deliberate. There is also an associated app that claims to be augmented reality but is, as far as I can tell, just a portal via on-page codes to video tutorials. I think it’s more added content than augmented reality.
So, having pretty much trashed the intent of the book, is there any point in going any further? Well, yes, because once you get past the ache to be new and high-tech, this is a very sound introduction to painting a good variety of subjects in watercolour, oil and acrylic. Yes, that old cross-media chestnut rears its head and, yes the subject you want may not be covered in the medium you use but, as long as you can follow the basic principles, the actual style of instruction, particularly working with problem areas and enlarged details is perfectly sound.
The lack of a named author is slightly odd, but there are plenty of different contributing artists and the text is concise and to the point. My initial thought was that it has the feel of a Parramon original and so, on further investigation, it turns out to be. That pedigree is generally a recommendation in itself and I’d say it is here. It’s hard to know who to recommend the book to – it’s a little too advanced for the complete beginner and sometimes a little too basic for the experienced artist. However, it’s something that may grab your attention and, as long as you feel you can get enough out of it to justify the price, I don’t think you’ll be disappointed and may well feel it has more to offer than you first thought.
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