Archive for category Publisher: Lund Humphries
America Collects Eighteenth Century French Painting
Posted by Henry in Publisher: Lund Humphries, Subject: Art History on Aug 21, 2017
When Americans collect, they really collect! It’s generally known that Orson Wells’ Citizen Kane is based on the life of William Randolph Hearst and that Kane’s massive and obsessive acquisition of European artefacts reflected both that of his original and of many contemporaries. This, then, is not a slim volume of dilettante collections, but a blockbuster of a book with 232 top-quality illustrations and all the academic research and authority that the Washington National Gallery of Art can bring to the feast.
The tale begins in 1815, when Joseph Bonaparte (Napoleon’s brother) arrives from across the Atlantic with an impressive collection of the Eighteenth Century art of his country. This kick-started fashion and mansions were furnished with works by artists such as Boucher and Fragonard. In modern times, the neoclassicism of David and others has been added to the mix and the interest continues.
This book accompanies an exhibition which brings together sixty-eight paintings by thirty-eight artists, having been gathered from no fewer than twenty-five states. It’s worth quoting those numbers just to give an idea of the extent of the collection and the distribution of the works across the country. Even then, it’s been selective. It should also be said that the book stands alone as a separate product and is a long way from being an exhibition catalogue that would benefit from a visit.
The book, with contributions from eleven different writers, doesn’t just list, reproduce and explain the works, even if that might have been enough. It also tells the story of the collectors, collections, museums and galleries that now house them. It talks about the art dealers who brought them to where they are and becomes, in the process, something of a social history, both in terms of the process of acquisition and the American fascination with the France of the period – with revolution, in a word.
The artistic scope of the book makes it worthwhile on its own, but the historical elements make it compelling reading. Yes, it’s a book about art, but it’s also about collecting, obsession and society and what that tells us about ourselves.
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Outline: an autobiography || Paul Nash
Posted by Henry in Publisher: Lund Humphries, Subject: Paul Nash on Jan 9, 2017
Paul Nash’s autobiography occupied the last fifteen or so years of his life. Starting in 1930, it was still unfinished when he died suddenly in 1946. The problem, as he acknowledged, was that he struggled to get beyond the start of the First World War, the period up to then being, “another life, another world”.
Eventually published in 1949, the version that exists provides many insights into the life of an artist and the development of a very distinct vision. Many, perhaps even most, artists think visually and struggle to express themselves in words. Nash, however, writes coherently and elegantly and demonstrates considerable self-awareness. It is entirely possible that the events that stopped him in his tracks also promoted this; writers who deal with the same period are similarly introspective and the period has promoted much great and thoughtful literature.
The original publication included a selection of the letters Nash wrote to his wife Margaret from the Western Front and these provide further insights into his state of mind as well as his experience of war. A new element here, though, is Margaret Nash’s previously unpublished memoir of her husband, written in 1951. This goes a long way towards completing the story and filling in many gaps.
The whole is augmented by reproductions of some of Nash’s major works although, as the paper used is more suited to type than images, they serve more as aides-mémoire than actual milestones.
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