Archive for category Subject: Lynn Chadwick
Lynn Chadwick || Michael Bird
Posted by Henry in Author: Michael Bird, Medium: Sculpture, Publisher: Lund Humphries, Subject: Lynn Chadwick, Subject: Sculpture on Jul 2, 2014
Lynn Chadwick’s reputation took off after he won the International Prize for Sculpture at the 1956 Venice Biennale. Initially working with hand-forged iron, his favoured material turned, during the course of 1953, to sheaves of mild steel rods. Of his working process, he said, “a single weld may take an hour or more on a big thing, and you’re wringing wet at the end.”
Sculpture is always an intensely physical activity and brings the artist into greater contact with their material than many others, but this generation of workers was perhaps the most constructional there has been. This being the era of the Cold War, there was maybe a sense of both a plane of existence to preserve as well as a way of being to fight against and their pieces are never comfortable. The phrase, “forged in the white heat” is perhaps apposite.
This is a book which might well not have pleased Chadwick. Hostile to attempts to intellectualise art in general and his own work in particular, he maintained that “you improvise as you go along”, claiming to have no preconceived idea when a work started, how it was going to finish. Such statements can often be disingenuous. An artist may well not have a fixed idea of where a piece is going to finish, but they know their own working methods and which paths, when there is a branch in the road, they are likely to take. Even if they don’t have determined finishing point, they will generally have a starting one, even if it is only a state of mind. Disallowing the analysis of others is as often a way of preserving their own intellectual processes as it is of not wishing to see them diverted by others and having to argue with an outside assessment.
This substantial and well-written book is a thorough account of Chadwick’s working life and is comprehensively illustrated, his pieces being shown in studio as well as landscape settings. There are also personal photographs showing the artist both at work and relaxing.
Finally, did you want a justification of abstract sculpture? Try: “If you’re trying to make a thing like something else, it’s limiting.”
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