You might be forgiven for thinking that not a lot can have happened in the life of an well-established artistic colony in the eight years since the first edition of this account was published. As Michael Bird points out in his introduction, the town itself has changed, much has been written and interpretations have changed. There has also been a series of exhibitions, including at the Tate Gallery outpost. It isn’t the art that has changed so much as the view of it.
This is a narrative account of a colony that did not establish itself entirely by chance and was, for the most part, populated by incomers rather than growing out of local work. That centred more around the fishing industry and it is the demise of this, as much as anything else, that has contributed to the changes in the town itself.
The story begins with the arrival of Terry and Kathleen Frost in 1946 and recounts the difficulties of a journey by train in the aftermath of the second world war, which provides a setting for what is an enthralling story as much as an art history. Such detail helps to emphasise the fact that artists are people who lead quotidian lives as well as producers of great works and figures in an elevated history.
The paper on which this is printed is designed to take type rather than illustrations, but there are plenty of these latter and they are reproduced surprisingly well. They are also carefully chosen to represent both the variety of personalities and styles that characterise a vibrant community that contributed a great deal to the art of the latter part of the last century.
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