This slim volume, which accompanies an exhibition at the RWA Bristol, manages to provide a comprehensive history of the Abstract Impressionist movement in Britain. This began with the 1959 Tate Exhibition, The New American Painting, which introduced the style to what I think one might call a surprised audience.
For young artists, the freshness of new ideas was intoxicating and the exhibition (and this book) includes works not just by Irvin, but many of his contemporaries, including Peter Lanyon, John Bratby and Gillian Ayres, who picked up the Transatlantic baton and ran with it.
As well as the superbly reproduced paintings, analytical studies look at the history of the movement and some of Irvin’s creative practices. There’s a great deal to get stuck into in the 88 pages that are here and the book covers more ground than many twice its extent.
View on Amazon
Or buy from the publisher