Hazel Soan’s work is all about light and shade and this is the book she was always destined to write. If it seems like a long time coming, think of her previous output as the rehearsal that makes sure this is absolutely right. And absolutely right it is, a genuine tour de force that takes in light and dark, the white of the paper, contrasting and complementary colours and the use of simple shapes that say far more about a subject than any amount of fine detail. Look at any of the images here in depth and it becomes apparent just how much Hazel leaves out, relying instead on the viewer’s eye to fill the blanks and create the emotional response that defines a successful painting.
The book covers animals, figures, flowers, landscapes, buildings and townscapes, all in a variety of lighting effects that Hazel will show you how to capture. There are no step-by-step demonstrations, but neither is this a dry read; most of the text is confined to short paragraphs. Like the images themselves, these are stripped back to the bare essentials while, at the same time conveying all the information you need. Where necessary, extended captions explain what you’re looking at and for and there’s an extraordinary sense of working alongside a consummate artist, rather than simply being set homework to present later.
Hazel is a rightly popular author and demonstrator and this is easily her best book yet.
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